Carlos Guastavino (5 April – 28 October ) was one of the foremost Argentine . Carlos Guastavino: Guitar and Chamber Music, María Isabel Siewers, guitar; Stamitz Quartet. London, ASV (). Fantasia Sul America: Clarinet. Read and write album reviews for Guastavino: Guitar & Chamber Music – Maria Isabel Siewers, Stamic Quartet on AllMusic. I was particularly struck by Guastavino’s first guitar sonata and now that Daniel has videos of the first two movements I’d like you to give them a.

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Guastavino: Guitar & Chamber Music – Maria Isabel Siewers, Stamic Quartet | User Reviews | AllMusic

Accessed 11 Feb Retrieved 27 October Views Read Edit View history. Accessed on 11 Feb Carlos Guastavino 5 April — 28 October [1] was one of the foremost Argentine guasttavino of the 20th century.

The work was written as a quintet and it achieves a skilful balance between the guitar guigar the string quartet. His production amounted to over works, most of them songs for piano and voice, many still unpublished.

His music grows from melody, the harmony follows, and he resisted every compositional process that departs from traditional values. By using this site, you agree to the Terms of Use and Privacy Policy. She lived in a very modest guastacino, surrounded by poultry and by plants and flowers which grew in old oil cans; as a child Guastavino used to go there to buy eggs.

Guastavino: Guitar & Chamber Music

His reputation was based almost entirely on his songs, and Guastavino has sometimes been called “the Schubert of the Pampas”. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.

A talented pianist, he performed his piano works in London in, andinvited by the BBCand as a recipient of a scholarship from the British Council. Although it contains many elements of recapitulation it is not in conventional sonata form.

From Wikipedia, the free encyclopedia. His style was quite conservative, always tonal and lusciously romantic.


Carlos Guastavino, an Argentinian, is one of those composers whose unswerving belief that there are still plenty of good tunes to be written in C major caused him to be brushed aside by the tide of the avant-garde, not least in his own country.

Mansilla to offer us here a very accurate portrait of the composer. In recent years he has been vindicated by the rapidly increasing number of recordings of his chamber, solo instrumental and vocal music. A talented pianist, he performed his piano works in London in, andinvited by the BBC and as a recipient of a scholarship from the British Council.

Guastavino’s stylistic isolation from the modernist and avant-garde movements going on around him, and the self-consciously nationalist content of his songs made him a model for Argentine popular and folk musicians in the s. He does not play guaxtavino guitar but, as a South American, he can scarcely escape from its sounds, or from absorbing a goodly measure of how its music should be — nor does he wish to.

He led a largely gaustavino social life, but through his music he spoke to more people than do most of those of a gregarious nature—and without compromise. Aguirre’s delicate guiatr intimate piano writing is an especially evident guastwvino on Guastavino. Archived February 27,at the Wayback Machine. His works for orchestra included Divertissement; fue una vezcommissioned by Colonel W. Guastavino received many important awards, among them the prize from the Organization of American States and the Inter-American Music Council, as recognition of his outstanding creative activity.

A long friendship with the composer documented giitar interviews and a profound analysis of his work allow Dr. In his own words: One of the foremost Argentine composers of the 20th century, his production amounts to over works: This page was last edited on 4 Novemberat The first has some feeling of the habanerawhich influenced the Tuitar milongathe secondis a lively gatoand the last is overtly romantic. The performances by Siewers and her colleagues, and the quality of the recording, should boost the impulse which one hopes may keep Guastavino going for another decade or so.

This is just as true in the three formally disciplined sonatas as it is in the overtly folk-musical items and in Jeromita Linaresthe name of an old lady whom Guastavino remembers fondly from his childhood. The first movement is strongly influenced by the rhythm and feeling of the zambaa dance in which a man and a woman, gusatavino and gracefully flourishing handkerchiefs, dance in decreasing circles and finally embrace. For this reason he was long undervalued by those who believe that guadtavino bath water requires a new baby, a thing that saddened him but never deflected him from what he always regarded as the right path.

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He also wrote tuitar Sonatas for guitar. Gramophone’s expert reviews easier than ever before. Sonata for Guitar No. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.

Carlos Guastavino

Essay in booklet with the recording Carlos Guastavino: Gramophone products and those of specially selected partners from the world of music. This amiable and energetic man, who belies his 83 years, lives alone and lives to write only what pleases him; that it also pleases others is evident in the growing number of recordings of his songs and piano music during the past few years, a thing that has brought him much pleasure in his autumnal years.

His compositions were clearly influenced by Argentine folk music. Jeromita Linares is the sixth of the Presenciasnamed after an old Spanish lady, a neighbor of Guastavino when he lived in his native, quiet and peaceful Santa Fe.

In Carlos Guastavino, the composera book written by the argentine musicologist Dr. His reputation was based almost entirely on his songs.