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Caggiati, Colorno, Italy. likes. Matthews International Martiri della Libertà, 71 – Colorno Parma +39 Fax + Upload a PDF or design from scratch flyers, magazines, books and more. Author: iof boschetto, Catalog: Catalogo monumenti Caggiati parte 2, Published: Sep. Catalogo monumenti Caggiati parte 7. Published on Sep 19, Catalogo monumenti Caggiati parte 6. Published on Sep 19, Catalogo monumenti.

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It also carries the images and the texts displaying the names and cagalogo of the projects. Behind the cahalogo is an area for lighting and catakogo. The wavy surface accommodates the lamp and the single-stem vase. The piece is made in solid PMMA which has been polished to create the effect of the refraction of light inside the material.

The project interprets the phenomenon of the decaying of the skin of solids while capturing the aesthetic and dynamic qualities. The perfectly transparent material in PMMA encloses an elegant form created catalogl a sophisticated process of milling on different planes. The natural image of the outer forms reveals a heart of ancestral power, almost as if it were made of metal melted by the gravitational forces concentrated within the core of the rocks themselves.

The bird is in stainless steel, and is mechanically fixed to the surface of the cube to enable it to maintain a balanced plastic pose. The innovation pursued here is aesthetical, of accurate sign and essential shape.

The resulting block is unique, solid and ethereal. The ribbon unfurls and winds under the force of an imaginary wind and its figure dynamically crosses upwards with increasing power the entire available space from left to right. The two spaces of the infinity sign act as two functional areas; one houses the urn itself, while the other is for the floral decoration that perpetuates life and loving memory. The collections of objects tend to express the contemporary design culture through evolved materials catalpgo forms designed with digital technologies.

The metal design is applied to the urn with an engraving technique. The forms are modelled by the forces of nature and caggiatl to the image of rocks shaped over time by the flowing of the waves of a river. The piece is adjustable in length by sliding its various parts into each other. The square supporting columns act as a caggisti display pedestal for the urns.


The forms are mechanically locked in the final position of balance. The solid construction renders the objects sturdy and durable. The broken objects reveal a precious and unexpected soul, which enhances, by contrast, the dark outer appearance. The object, completely in stainless steel, is made up of three curved metal plates mounted on runners, allowing them to slide horizontally in order to freely set their length.

It rests lightly on the object, which also holds flowers, a metaphor for flora, and together they both drink from the same source of water. It is made in stainless steel, subsequently cold-set in the niche created on the front of the cube. The ancient symbol of infinity dates back to the romantic period.

Caggiati Design

The black element delicately welcomes renewed life. The internal form, in PMMA, acts as a container, while the steel covering is purely decorative. The project is a plastic metaphor. The phytomorphic shape is the decorative graphic theme of the urn, like an inflorescence growing on the same shape, giving a naturalistic air to the object which, in itself, has decidedly abstract contours.

The objects of the collection emphasis the extreme transparency of the PMMA material, amplifying to the full the suspended effect of the central body, which is made through a process of multi-axis milling. The display system was created to render the design aspect of each element clear and interesting.

The system is modulated on a single vertical element of one size which, when appropriately arranged, assumes a different appearance.

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Vegetation, with its constant and silent growth, accompanies the flow of time. The bird drinks from the fountain of life and conveys the sense of the perpetuation of life and the renewal of the earthly experience. The atmosphere that is released is ethereal and impalpable. In this project the marks left by time in turn catwlogo graphic signs of discontinuity and the rhythm of the horizontal element. The form expresses an endless sequentiality between past and present, front and back, extremely fine fabric and dense metal.


Lightness and suspension are the themes of the project Anima. Beneath the steel screen is a pure, shiny white form. The shininess of the metal cafgiati different reflections according to the curve that the piece physically assumes.

The body of the urn is made in PMMA of a warm grey colour. In this project nature regains possession, in an aesthetic and controlled manner, of the human artefact.

The shelf elements, in blue Corian, are shaped and smoothed into gentle forms. The transparent element is supported by a component in polished stainless steel super mirror that fixes it against the wall. The luminous bulb is characterised by a harmony of reflections and light created, in nature, by drops of water. Features two specular figures for left and right mounting. Headquarters and Executive Offices: In line with the collection of lamps and vases, the urn narrates an ancient, Etruscan-like form suspended in a transparent cube of a futuristic style, as if it were the digital reproduction of the effect that in nature captures elements inside amber.

The breath soffio is a metaphor for the flowing of life, ephemeral but of great plastic beauty. The basic component consisting of intertwined branches is made in Corian.

The resulting composition is of a profound dynamism. The composition of the objects is based on a principle that is unrelated to the traditional way of arranging flowers and lighting. The Italian company Matthews International SpA, world leader in the study, development and production of decorative and commemorative items presents the six collections of its new brand Caggiati Design during an event in the capital of design.

The project is the visible result of a desire to profoundly change the product catwlogo relating to commemoration and commemorative ornaments.